Mahraganat (means festivals in English), is a form of public folklore that emerged since 2009 and spread among the working class in the suburbs of Cairo. Today, it has millions of listeners in Egypt and the Middle East.
Imitating the ‘hip-hop’ music style, Mahraganat discusses controversial topics in the Egyptian societies, especially those who belong to the working-class. Despite having been originated in Egypt, Mahraganat is listened to all over the Middle East and North Africa region.
One of the mostly covered topics is sex and male-female relationships. Being ‘shaabi music’, or the music of the poor, these songs touch the pains of the people who descend from such socio-economic background. The inability to get married and get involved in an appropriate relationship entails the rise of such kind of songs that represent an outburst of their frustrated expectations of a better life and are, thus, seen by them as a critical cry for the surrounding circumstances.
Through the wide production of these songs with minimal production costs and despite the low sound quality and the vulgar style, these songs still find their way among the Egyptian society.
Unfortunately, this popular music genre has been a highly dominated male-production industry. All the best-selling Mahragant artists are men.
This is a problem because:
- as if only men have the exclusive right to talk about social problems;
- this excludes those who identify as women from being part of this socio-cultural music movement;
- creating sterotypes about women and putting the blame on them (using offensive language and sexual references) and emphasising traditional roles of women.
Our project seeks to fill in the gender gap in this music industry by training and producing Mahraganat songs by young women including a research on the topic itself "Women in Mahragant".
Our primary target group is young talented girls and women (20-35 years old) feminists in Egypt. We want to be enablers for this target group to start a career in Mahraganat music. We want to end male monopoly for this music genre.
Mind the Gap programme (World Culture Museum) and Falafel Records by Elmadina Arts (Egypt) hosted a creative workshop on 7 - 13 October 2021 in Alexandria where young talented Egyptian women participated in a creative process to sing Mahraganat songs.
The workshop is organised with the support of Creative Force - Swedish Institute, AFAC (Arab Fund for Arts and Culture), SDC (Swiss Agency for Development and Cooperation).
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المهرجان هو الصوت التي استقر في المشهد الموسيقى المصري خلال عشر سنين، وهو شكل غنائي مستحدث مزج بين الراب وايقاع المقسوم مستفيدا من التطورات التكنولوجية في تسهيل عمليات المزج والتوليف الموسيقي من خلال برامج وتطبيقات الكترونية، وقد اعتمد في تسويقه على سوق النشر الإلكتروني حتى تسيدتُه كتجربة غناء مستقل عبرت الى الغناء السائد بنجاح ليس له نظير
خرجت المهرجانات من مجتمعات ذكورية، وامتنعت النساء من غنائها في البداية ، ربما حدث ذلك بشكل متعمد من قبل مطربي المهرجانات، وربما كانت ظروف الإنتاج والانتشار من خلال احياء الحفلات الليلية، لا تناسب أوضاع النساء في تلك المجتمعات
ورشة تسجلات فلافل
في الفترة من 7 لـ 13 أكتوبر، شاركت 9 شابات في ورشة كتابة وتسجيل أغاني مهرجانات بأصوات نسائية
ديه فرصة مهمة ومطلوبة عشان نعطي الفرصة للبنات أنهم يشاركوا في هذا النوع من الغناء وكمان أنهم يغيروا صورتهم اللي بيغنوا عنها في المهرجانات
تم تنظيم الورشة بالتعاون مع منصة تسجيلات فلافل من مؤسسة المدينة للفنون بالإسكندرية وبالتعاون مع برنامجنا من متحف الثقافة العالمية في السويد. الورشة بدعم من المعهد السويدي، مؤسسة آفاق للفنون وهيئة المعونة السويسرية
BBC Article: The Controversial Street Music That Won't Be Silenced.
By Adham Youssef - 14th June 2021.
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Performing at Celebrating Our Diversity Bab El Bahr Festival 18 March 2022 at the Jesuit Cultural Centre, Alexandria (Egypt)
Featured report by BBC Arabic about Mind the Gap and Falafel Records Mahraganat album
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